The inner space of the building is organised as a labyrinth with the hidden pit in the centre of it. The visitors are emotionally directed along the pathways  within the shed, then they ascend to the attic and arrive at the well through which one can see the pit in the basement, designed 3x3x3 metres wide with wooden plank beds resembling the room of the historic bunker. The attic is the main exhibition hall of the museum with visually damaged roof through which some sparse sun beams enter the dusky room from the outside – from the desired freedom. On the ground floor there is another detour around the pit. A sukkah is built above the pit – a symbolic jewish divine temporary shelter from the harshness and cruelty of the outside world, the desired home with painted walls. The visitor is allowed to have a look inside the sukkah only through small windows. The paintings on the walls of the sukkah are made by artist Kristaps Ģelzis.

Building of the memorial is funded by donations raised by society “Memorial of Žanis Lipke”.